So, what’s it like at the prop house?

10 tips on visiting a prop house for the first time

Have you ever been to a prop house? They’re pretty amazing places full of random homewares, all kinds of furniture and every conceivable style of china, glass wear and cutlery.

A few weeks ago I bumped into a couple of stylist friends who’ve just gone freelance and they were telling me that they had never been to a prop house and were asking me what the set up is before they get their first big commercial shoots. Shooting as a freelancer as apposed to the way you work in-house on a magazine is very different. It’s funny how quickly you forget about those scary emotions when you first go it alone. I remember how petrified I was on getting a fantastically big job a few months after I left Woman and Home. I was commissioned to style a pull out magazine for The Mail. It was all homeware offers and it was a massive 10 day shoot covering most rooms in the house. I was nervous about the styling aspect but the prop hire was one of the things that was freaking me out most.

The budget is HOW MUCH?!?!?!

On being told I had a budget of £6,000 – yes £60000 I had no idea how I was going to finance this. I must add that this was the first and last time I was given such a whopper of a budget. Having never done this kind of shoot before I thought I had to lay out for the props myself but it turns out I should have asked for an advance – something I didn’t find out till later and once I had put it all on a credit card. (They did pay me the advance quickly so my credit card would be cleared in time after the shoot – thank goodness!)
Up until this point I’d paid for prop hire on a credit card. I just assumed that was how things were done. They are not.

Get an advance or get them to pay!

Now I don’t pay for prop hire at all. I always ask the client to pay. It’s so much easier and makes the expenses on a shoot much more simple.

So, back to my conversation… my friends were asking about how you hire from a prop house- as that was where I was headed after our catch up. I’ve been asked this a few times over the years by other new freelancers. It can be a kind of a confusing place. There’re so many forms to fill out, payment to organise, couriers to be booked and that’s not even mentioning how you actually get the products you want. I thought it might be useful to do a video while I was at the prop house. A kind of walk around so you know what to expect when visiting for the first time. You can see that at the end of this post. So here’s what you need to know.

10 tips on how to hire from a prop house

  1. Get an account : The first time you visit a prop house you will need to set up an account. This is pretty simple. They just want to know who you are, what your company name is (ie Emma Morton-Turner – thank you very much!) address and contact details. They may ask for all of this on headed paper. You have to sign their T&C’s form which is basically once you’re set up and hiring you’ll be asked ‘Who’s the hirer for these props?” and you can just say your name rather than the company you’re hiring on the behalf of as they probably won’t have an account.What's it like at a prop house?
  2. Sign in. When you arrive at the prop house don’t forget to sign in – and then out. It’s a safety thing. You can then walk straight past the reception desk and have a look at the props.
  3. Trolley’s: Most prop houses have trolleys or baskets for you to put your props in. It’s a bit like shopping where everything you need is in once place and you have to give it all back again afterwards. At Superhire there are trolleys that you fill. Once you have selected everything you need you park up your trolley near the desks at the front where the guys who organise the loans sit. On their desks are stickers. Write your details : Name, job reference, company hiring from(client) and the all important collection date on it and place it on your trolley.There will be a LOT of trolley’s. Park up then bring your props to the attention of one of the staff. They need to know that you are there or they might not realise there’s a new loan to be arranged. Usually, they’ll just acknowledge you, ask which trolley’s yours, ask who the hire is for (you/client) and when the collection is for and then you can leave.What's it like at a prop house?
  4. The paperwork: Once you’ve left the prop house the staff will go through your hire and list every item on a hire sheet. This is then emailed to you and you can see what the loan is going to cost. This is where you agree to it or ask for items to be removed. I have had to remove super expensive items in the past as they’re cheaper to buy. Ask for an updated invoice if you remove items.What's it like at a prop house?
  5. The payment: Once you’re happy with your hire list the prop house will need a PO on headed paper to be sent. This is an example of a PO. It needs to say who you are hiring from, the date you are collecting and the date you are paying and the total amount including any credit card charges. The client must be the one who sends this on headed paper. It is basically the hire company’s  t&c’s saying that you will take care of the props and are insured and if anything gets damaged you are responsible for repair or replacement. This is why the client MUST be the one to send the PO. They must be responsible otherwise that £1000 antique vase that gets knocked off a shelf is your responsibility to pay for.
    Once the PO has been sent the hire can be paid for. This is usually done over the phone with a company credit card. Most prop houses will charge £5 for paying with a credit card. Payment can also be made by a BACS transfer but make sure that it will clear before your collection date. 
    It’s also good to know that there’s a minimum hire fee of £25+VAT so if you only need an item or two it can be less expensive to buy it – especially when you take into consideration the courier costs.What's it like at a prop house?
  6. Get your timings right . You can hire props for the next day (or even the same day if there’s only a few items and you’re taking them away with you) but the guys who check it out won’t be very happy with you. Always try and leave at least 2-3 days between selecting the items and collecting them. You can organised loans a week before your shoot. Stylists who set up TV programs book whole room sets months in advance.
  7. Be organised: Make sure you have a list. Pretty obvious I know but in the past I’ve gone with a long list with everything I need for each shot on it but now I put everything into sections so all the china, furniture, accessories, random stuff I need in one list not all jumbled up. That way it’s easier to walk around and find things without it taking all day. I learnt the hard way.
  8. It takes time: Expect to be at the prop house for a few hours. Prop houses are like time warp machines. I don’t think I’ve ever borrowed something and it hasn’t taken me at least 2 hours to get it sorted. If you’re borrowing furniture AND accessories it will take some time to plan and organise travelling between different floors. 
    Hiring furniture will often mean you will need to source from one floor then go and physically get someone who will organise your loan from another floor, take them back to the furniture so they can label it up then go back to their desk to see what it costs to hire. There can be a lot of to-ing and fro-ing!
  9. Returning props: Most prop house loans are for a one week hire. Go one day over and you have to pay the whole hire fee again. I’ve negotiated discounts on a second week’s hire fee when props were returned on the 8th day but it was tricky!
  10. Share the costs: Make sure the client knows what the courier fees are going to be. Clients who are new to prop hire are often surprised buy the additional costs. As a very rough figure on a recent shoot my couriers recently charged £475 to collect from Superhire prop house, hold overnight, deliver to a london location in the morning then collect from the location later that day and return to the prop house the following day.What's it like at a prop house?

A word about Superhire

Superhire is one of the bigger prop houses. It houses a number of prop hire companies under one roof :-

  • Furniture hire : Anything and everything from pub stools, vintage school desks, sofas, beds, dining tables dressers etc
  • Small hire: Anything not furniture from seasonal items, china, glassware cutlery, bar accessories, candles, office equipment, old bicycles, Christmas, everything!!
  • Modern props – Super modern styled furniture and accessories including on trend vintage/industrial items, backdrops
  • Old Times: Think antiques roadshow
  • All clear images (within Modern Props)  : Works of art that are cleared for photography and filming. Some are really large.

Hiring from any of these companies will require a separate PO and payment. I will often hire from 2-3 of these companies for any one shoot.

I can’t stress enough how important it is to return the props to the correct department. Although rogue vases destined for modern props that end up in small hire should find their way back to the correct floor this rarely happens and it will end with a ‘lost prop’ invoice for the replacement of that item at full price. Been there done that! Don’t like it!

So I hope that gives you a clear idea of what a prop house is like and how to navigate around one and hire your props? The last time I was at Superhire I did a quick video walk around so I could share it with you so you can see the different departments. Have a look at the video. I hope it’s useful.

Till next time

EmmaMT x

EmmaMT

Christmas 2016 with Talking Tables

It’s about time I shared with you some of the shots I styled for Talking Tables Christmas shoot.  The ranges are fantastically diverse so there’s something to suit all styles. If you want to see some behind the scenes shots from this shoot check out the last post

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EPIC SHOOT!!!

 

Styling: EmmaMT

Photography: Oliver Gordon

Stylist Assistant Stella Ajao 

Products: Talking Tables 

 

EmmaMT x

Want to see what it looked like behind the scenes at this shoot? Check out this fun post here

EmmaMT

Behind the scenes at the Talking Tables Christmas shoot 2016

I thought it might be interesting to share the behind the scenes blog post from one of my shoots. I can’t tell you how many times people have thought that being an Interior Stylist is all shiny photo shoots and glamour but it’s not. It’s a lot of planning and prepping and a ton of loading and unloading of vans. But when it’s right it can be the most fun job ever!

This was a Christmas shoot for the 2016 Talking tables brochure and these shoots are big, four day affairs with tons of props (like a luton van full)  a LOT of food and drink and always beautiful flowers. Often we are in a different location every day traveling around London and the suburbs so there’s a lot of driving and a lot of loading and unloading of vans – no need to go to the gym that week! But even with all of that incredibly hard work what they are most of all is fun.

The gangscreen-shot-2016-12-06-at-06-07-43What makes it tick along nicely

It’s all about having a good team. We’ve been shooting together for Talking Tables for six years now so we know each other pretty well. I’ve been shooting with Olly for sixteen years since a fated shoot for Homes and Ideas magazine where he likes to remind me that I made him shoot 60 shots of grilled peppers (it wasn’t- it was about 20 and I was young and inexperienced – but I still got him to do it!)

Helen is the Marketing Manager for TT and is so on her game. She runs the shoot. To say she finds the most amazing locations is an understatement. They’re always perfect for the ranges. In a week we can shoot anything from eight to fourteen ranges some big collections and some additional products to great selling collections. Each range has a completely different feel so it falls on Helen to find locations that will work across the shoot list – no easy feat when you move from pretty floral Truly Scrumptious right through to ultra modern Glitterati in one day.

Shoots don’t work without assistants and for this shoot I had the lovely Stella to be my right hand girl and together with Olly’s assistant Jo the shoot can run smooth as anything.

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The locations

We shot at the lovely Catherine Worram’s house on one of the days and I have to say it’s a stunning and MASSIVE house in SE25 . Great for big shoots as there’s plenty of space for props and you don’t end up tripping over your boxes and crates. I’m pretty clumsy so there’s a lot of tripping when I’m on a shoot! We were in the basement location for this shoot but have shot in the main house too! Both are incredible shoot locations. img_0171 img_0172 img_0173

Christmas 2016 with Talking TablesChristmas 2016 with Talking Tables

The cover shot for the brochure has had people on it the last few issues so while Olly is setting up I sit in and be a ‘model’ while he gets the lighting right. I seem to have this reaction to being on the wrong side of the camera. I don’t ever just smile. I HAVE to pull a face!

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Another location we shot at was Tavistock Works in London which was originally an old stables. You could walk past it every day and not even know it was there. It had a big open space upstairs with great light.  Of course we were shooting Christmas in June so Olly had to create a bit of mood and hide all that light!  img_0290

We also shot at this house in Thursley, Godalming. It had a swimming pool, tennis courts and most importantly beams in the dining room and the perfect fireplace for a christmas shoot. img_0345

On me ‘ed son

If there’s one thing that can be guaranteed on these (and frankly most shoots) it’s that if there’s something that can go on your head I will put it on and do a selfie. I know I do this but it’s not until I look back over the whole shoot’s selfies that I realise how often I do it. I mean glasses and headbands are one thing but the clip on robin decorations I am sure are not meant for heads! head

So that’s a quick tour of behind the scenes at this TT shoot. Next time I’ll be shore to share the boxes and vans! You can see what the finished shots look like here on the Christmas 2016 with Talking Tables post but here’s the brochure.

Christmas 2016 with Talking Tables

Be sure to check out the fantastic products over on TalkingTables.com 

EmmaMT x

EmmaMT